Cat, Mouse with a Brick, and Cop: The Eternal Triangle

In the UK in 1996, a three-minute pilot was created in hopes of launching a new Krazy Kat cartoon series.  It was directed by Derek Mogford and produced by Spitting Image Productions.

Krazy Kat had been animated often before, and always in long-running and successful series. There were theatrical Krazy Kat cartoons in some form or another running from 1916 to the end of the thirties, and in the sixties the character was brought back for a television series.

So what makes this 1996 Krazy Kat cartoon so interesting if the strip has been animated so many times before? The difference is that, apart from being British, was that it was the first (and so far only) time the characters of Krazy Kat had been brought to life using stop-motion animation. The pilot was produced by Spitting Image Productions and directed by Derek Mogford, an animator who had previously directed several stop-motion children shows including Postman Pat and Bertha.

Sadly, the pilot was never aired and did not lead to a series.

- Credit: Smart Than the Average!

WORDLESS!

"Art Spiegelman has almost single-handedly brought comic books out of the toy closet and onto the literature shelves."  - LA Weekly

Celebrated cartoonist Art Spiegelman comes to BAM with WORDLESS!, an innovative hybrid of slides, talk, and musical performance created in collaboration with acclaimed jazz composer Phillip Johnston. Spiegelman leads audiences on a personal tour of the first graphic novels—silent picture stories made by early-20th-century masters like Frans Masereel, Lynd Ward, and Milt Gross—accompanied by an all-new score by Johnston, who performs with his sextet. In navigating “the battle between words and pictures,” Spiegelman smashes at the hyphen between high and low art, featuring a new work drawn specifically for this project called “Shaping Thought!”

My friend, Frances Ruth Harris, attended last night's performance, and here is her review:

He presented a history of how the graphic inspirations began. Phillip Johnston, along with other musicians, made up a band (the Phillip Johnston sextet) that accompanied Art Spiegelman's visual slides and presentation. The music was all the way live sizzle! The presentation was entitled WORDLESS! Spiegalman did a lot of talking at various points, and during the graphic moments, he did not always talk. He spent time explaining how the absence of words generates thought. It was wonderful. I also love the BAM Opera House where all this took place. I had seen a ballet there two years ago, and I was lucky enough to get a wonderful seat then so that I enjoyed the orchestra in the pit as well as the ballet on stage. Trish, I'll mail the play bill for you to enjoy. Then you can read a couple of pages on Spiegelman. This evening's show was originally commissioned by the Sydney Opera House for GRAPHIC. And, on February 12th is "Co-Mix: The Artistic Adventures of Art Spiegelman and Francoise Mouly." Tonight's performance was a chance for Spiegelman -- in addition to all the revealing and captivating history he shared -- to showcase his own life in terms of how others influenced who he has come to be. He did spend most of his time on the history of other graphic artists and how each influenced the other. There's no denying his pleasure -- and the audience's joy -- in his own successes. It's who he is; one can't hide a reality like that! It will be interesting to read what the Times and the Journal have to say about this evening's show.

Speigelman at the podium, shares with the audience using images &  music, and minimal narration