Monday, January 30, 2006

Legacy

Gigi Sandberg has been sharing for some time about an ongoing project of hers to preserve her toy theatre collection for posterity.

After Hurricane Katrina, it reminded her how easily the material world can be gone at a moment's notice. Thus, Gigi has been working even more quickly to ensure the theatres a good and permanent (and safe) home. She has found it with the Puppetry Arts Institute.

Gigi says...
"...today we sent most of my collection to the Puppetry Arts Institute in Independence, Missouri where it will be on permanent exhibit after Feb.12 when we go there to help set it up (And celebrate my 80th birthday on the 13th!!!) I will miss my theatres.....but will rest easier knowing that they won't get wet in our next hurricane."

Toy Theatre on DVD

Recently on the toy theatre email group, it has been a matter of spirited and exciting discussion on how to get a good video record of toy theatre performances. Many ideas have been discussed and there's been much brainstorming. Now, the question is, can the momentum be built on towards an actual finished product?

Today I received an email from Gigi Sandberg touching on this subject...
I just received a letter from the Board of Trustees of Puppeteers of America thanking me for contributing 4 DVDs of Toy Theatre Performances to the Audio-visual Library...which had NOTHING on the subject to date and interest in it is growing so fast.

Here is what is on them: George Speight in probably his final performance of The Miller and His Men...Peter Baldwin doing Black Eye'd Susan at the International Toy Theatre Fest in Preez Germany in 2004...and Dirk Reimers at the same fest performs The Fairies's Island. On the second DVD, Barry Clarke does Blackbeard the Pirate...Joe Gladwin does Beauty and the Beast, Robert Poulter does 8 1/2 - History of Opera in 8 1/2 minutes - and Konjecture - a study of progress / Development / conflict...and Merry Margate. On the 3rd DVD Ted Hawkins in Blackpool England includes performance by Peter Baldwin, Pauline Venables, Peter and Sylvia Peasgood....and then a wonderful section of Ted's award-winning model theatre of the Boston Opera House...including a performance of Children in the Wood AND Brian Rogers does his incredible version of Around the World in Eighty Days...followed by a review of some of the tricks and how they are done.
Now, the catch to seeing these is that you have to be a PoA member; I think I shall have to seriously consider becoming a member now...!!

Monday, January 16, 2006

The New Automata Makers


Peter Meder is an amazing man. His website is one of my favorite stops on the Information Highway.

He's a descendent (figuratively speaking) of a long line of persons who for the rest of us might as well be magicians, because of the magic they seem to produce through the use of mechanics and technology. In Peter's instance, the emphasis is definitely on the latter - not that the former is not still a vital piece of the puzzle.

Peter is using modern technology to take the creation of automata one step further. The fellow in the picture is the product of this new process...

Sunday, January 15, 2006

Toy Theatre 'Movie'

Harry Oudekerk as a puppet, by Lynn Zetzman

Harry Oudekerk has kindly shared a movie he made awhile back, which is a performance of Sleeping Beauty. Harry says that toy theater doesn't translate very well to the medium of film which likes closeups, not to mention capturing the lighting.

Another toy theatre enthusiast I had not heard from before, Eric Laws from New Orleans, shared with me today that he is in the process of "...working on film versions of toy theater performances that will eventually be available on DVD when complete." How exciting! Eric says he'll be posting a link to them on his website, the Seven Devils Parlor (which is an online storefront for a real world store he runs in New Orleans...) I can't wait to see the DVD, Eric.

Slipping Gently into the Night...



The survival of English toy theatre into the present age owes much to the enthusiasm and passion of George Speaight, who has died aged 91.



George Speaight left us on December 22, 2005. I encourage all enthusiasts to read this well-written obituary, a tribute to George by two other toy theatre enthusiasts...

Monday, January 09, 2006

Early Visual Media

An amazing website called Early Visual Media has come to my attention.

While it does not cover toy theatre per se, it does cover associated arts, and will likely be of interest to many toy theatre enthusiasts. I recommend it highly...

Wednesday, January 04, 2006

Homage to the Small Theatre

"J.B. Priestly wrote a play for the Toy Theatre and George Bernard Shaw wrote one for marionettes, while theatrical genius Gordon Craig wrote copiously in praise of the puppet..."

I discovered a website about a very special puppet theatre in the UK tonight. The shots of one performer manipulating a large marionette that in turn manipulates a smaller marionette is quite amazing to me!

Monday, December 26, 2005

Toy Theatre in Retail

Charming toys of old are presented in a toy theatre setting; click the picture below to see the show...

Click me for the show!

Wednesday, December 21, 2005

Toy Theatres Go to the Movies


All toy theatre enthusiasts are aware of the roots of toy theatre, i.e., theatres and plays for the small stage based on actual plays and real theatres. However, some may not know that at least one well-known film based on a play was specifically adapted for the toy theatre - Lawrence Oliver's Hamlet...

Sunday, December 18, 2005

Toy Theatre Online Videos


There are two videos showing toy theatres online. One is a contemporary news item featuring Pollock's Toy Shop in Covent Garden with Peter Baldwin. The other is an early 20th century newsreel showing Mr. Pollock printing, cutting, and coloring toy theatres, as well as putting up a stage and demonstration. Off to the right is a woman assisting him - not sure if it is a family member, or perhaps M. Fawdry?

Influences


It is fun to see influences of toy theatre* in popular culture, such as this music video by the Dresden Dolls...



* Among other influences such as puppetry, cabaret, mime, etc.

Saturday, December 17, 2005

Team Spirit

Show your "team spirit"; join the Toy Theatre Enthusiasts FRAPPR Group - a great way to network!

How to Build Your Own Toy Theater


There have been several questions brought up on toy theatre discussion groups lately on how to do this or that. Paul Weighall from the Pollock's Toy Museum in London gave me permission to post a great 'how-to' that he and Trevor Griffin co-wrote.

You can download the document here.

Monday, November 28, 2005

Webb Festival Highlights II

Laurie Webb at left, Peter Baldwin at right
Gigi Sandberg's Toy Theatre Information Center has a new area documenting their experience at the recent Webb Festival.

All I can say is, I wish I could have been a mouse in the corner for many of the performances. To see what they have to contend with 'behind the scenes' just tires me out to think of it. Bravo to one and all...

Puppeteer Map


I think it's a MARVELOUS idea!

Andrew, from Puppetvision has created a Frapper map that shows where fellow puppeteers (and associated arts such as toy theatre enthusiasts/performers) live around the world. Anyone can join the map and participate, thus sharing their basic information. A great networking tool, and information resource...

Friday, November 25, 2005

Toy Theatre Performance - SHORT NOTICE!

Apologies to one and all, but it has only now come to my attention that there is a wonderful opportunity to anyone that can get there, to attend a toy theatre production of "Bambi", performed by Harry and Tenika Oudekerk; they are coming "across the pond" to do this on Saturday, December 17th, at 1:30pm.

Location of the performance is:

Xavier High School
1600 W. Prospect Avenue
Appleton, WI 54914
(920)749-4915

For more information, you can contact Lynn Zetzman...

Friday, November 18, 2005

Printing & Theatre


"...an account of the relationship between the rise of printed drama and theatrical practice. It's absorbing reading, richly detailed and illustrated..."

- from a review of Theatre of the Book 1480-1880: Print, Text and Performance in Europe, by Julie Stone Peters

Printing first revolutionized the regular theatre before it begat the toy theatre. This book documents how that happened. Includes amazing illustrations and examples of theatre-related ephemera...

Monday, October 24, 2005

Webb Festival Highlights


Thanks to Hugo Brown, there is a wonderful highlights page sharing all about the recent Webb Toy Theatre Festival. The festival included performances as well as an exhibition. The image in this posting is of the cover of the exhibition catalogue, which you can order online here...

Tuesday, October 18, 2005

'Heroes or Villains?' until November 6th

Corsican Brothers finaleI apologize for being a bit late on sharing this, but I only found out about it tonight. Thankfully, it runs until November 6th, so if you want to take it in, and you're lucky enough to be near London, you still have a chance...

The exhibition mentioned in the article below showcases some lovely toy theatres, making (what I consider) valid comparisons between children then and now. Some things don't change!
More than a century before the arrival of ultraviolent computer games such as Grand Theft Auto, in which it's run-of-the-mill to slash bystanders with a chainsaw before grabbing a burger, British children were enjoying toys that were technologically more simple but no less bloodthirsty.

An exhibition opening today at the Museum in Docklands charmingly illustrates this point. Devoted to the vogue for toy theatres that flourished in the 1820s and '30s, the show contains 35 pristine examples, including the cardboard cut-out above.

"Toy theatres were incredibly popular with young teenagers," says curator Beverley Cook. The 2-D actors played out scenes from sensationalist plays of the period, featuring villainous folk heroes such as Dick Turpin and Blackbeard. "Children would come out of the London theatres and buy a recreation in flat form of the play they'd just seen," says Cook. "You could buy a single scene or, if you had enough money, the whole play, which might be up to 30 sheets. Often, the publishers printing these sheets were based near the theatres. It was merchandising - just as you can buy Star Wars figurines today."

This scene is the grim finale of The Corsican Brothers, adapted from a novel by Alexandre Dumas. The philandering Chteau-Renaud - you can make out his name on the strut connecting the duellists - skewers one brother with his sabre. The play was first staged in 1852, but this cut-out version didn't appear for nearly 25 years.

"Lots of these plays ended with a fight scene, a death or some kind of explosion," says Cook. "Violence was common, so the popularity of toy theatres doesn't surprise me at all. Boys have always played with swords and guns."

'Heroes or Villains?' is at the Museum in Docklands, London, until November 6.
From The Daily Telegraph, 16 July 2005.

Toy Theatre Memories: Cardboard Boxes

Those of you out there that have been toy theatre enthusiasts for some years, some maybe life-long, probably have similiar stories to tell as the one below. I hope you will consider sharing them with us here...
WE HAD a great toyshop at the end of our street when I was of Meccano and Plasticine age. Not that it sold either product. In fact the marvellous toyshop didn't sell toys at all, but it did stock a wide range of empty packing cases, cardboard boxes, wooden crates and suchlike grocer's debris, all of which were ours for the taking.

Thus, before they were snatched up for bonfire night, I took possession of the raw materials for a model theatre, a farm, an aerodrome, a battlefield, a village, and with the help of a little builder's sand, a seaside resort.

Nor was I the only one hard at it in Santa's cardboard workshop. Every year when the fair - or feast as we call it up there - came to town, we first of all squandered our pocket money on the dodgems and then set about constructing our own fairground out of cardboard boxes.

Roll- em- down stalls, flip-a- coin stalls, spinthe-wheel stalls (we didn't know the French for roulette) were the basic attractions. Marbles were brought into play, and the currency used was buttons snitched from workboxes or even, in desperation, clipped from school blazers and overcoats; but the principal ingredient was the humble cardboard box.

Thus when I learn from an academic outfit in Stockholm called the International Toy Research Centre that so- called educational toys are a waste of money and that children can learn just as much from playing with a cardboard box, I come out in favour of the cardboard box.

That model theatre I just mentioned was knocked up from half a dozen cornflake packets glued together, plus a strip of corrugated cardboard to form the proscenium arch.

It was, in rotation, a legitimate theatre, a music hall with cut- out crosstalk acts clipped from comic postcards, an opera house (the rights of my one-act operetta, Robin Hood, are still available) and even a military tattoo, with a cardboard Spitfire descending to the stage on a length of cotton.

And all handmade. My only concession to commercial interests was that I ran off the programmes on my John Bull printing outfit.

MY MODEL theatre (no one was allowed to call it a toy theatre) kept me enthralled until I was old enough to go to the grownup theatre. All this time I was learning my trade - or one of my trades. And not an educational toy in sight. And it all began with a cardboard box.
From "How Our Children can Box Clever", by Keith Waterhouse, Daily Mail, 29 September 2005.