Anglia Ruskin University's Film & Television program students created this toy theatre trailer recently. They shared with me that, "...We are going to release a very different version very soon!"
I look forward to it!
"An entrancing production. For sheer power to haunt the imagination…it’s hard to picture anything surpassing 69°S.” - The Boston Globe
“Exquisitely rendered….beautifully constructed.”
– Los Angeles Times
"A remarkable achievement of multimedia artistry, the spellbinding 69ºS. is like nothing you've ever seen before.”
– Backstage
“Imagine the laboratory of a Victorian-age mad genius, and you’d probably come up with something like the Tribeca apartment of…Erik Sanko.”Phantom Limb Company’s 69 Degrees South may be first production staged at the Brooklyn Academy of Music’s Next Wave Festival to require a sojourn in Antarctica to make aural recordings. The company’s principals, set designer Jessica Grindstaff and puppeteer Erik Sanko, received a National Science Foundation Artists and Writers grant to capture the sounds of ice cracking, wind shearing, and feet trudging through the snow—all part of their layered spectacle opening April 28 2020, running through May 3rd.
– Village Voice
Every year, the UC San Diego Library hosts a Paper Theatre Festival, celebrating an art form with roots in Victorian Era Europe. Paper theatres, also known as toy theatres, were used to promote productions. They were printed on paperboard sheets and sold as kits at the concession stand of an opera house, playhouse, or vaudeville theater. The kits were then assembled at home and plays were performed for family members and guests, sometimes with live musical accompaniment. The theaters gradually declined in popularity during the late 19th and early 20th centuries, but have enjoyed a resurgence in interest in recent years among many puppeteers, filmmakers, theater historians, and hobbyists. Presently, there are numerous international paper theater festivals throughout the Americas and Europe, as well as several museums.
Watch this short documentary celebrating paper theatre filmed by UCSD-TV for the Library’s Channel!

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| Artist & Author, Maggie Rudy |
Galia Levy Grad has created a world of magic and beauty using the simplest, most minimalist techniques: the entire drama materializes out of a pop-up picture book. The visibility of the theatrical mechanism to the audience only serves to enhance the magic and liveliness of the two-dimensional figures. Galia has created exhilarating theatrical moments by means of inventive, aesthetic and highly imaginative elements.
- Comments by Judges’ Panel, 22nd Haifa International Children's Theatre Festival, 2012
A brilliant adaptation of the Chelm stories for paper theater, created jointly by Naomi Yoeli and Galia Levy Grad. (The latter is also the narrator and manipulates the characters, engaging in lively dialogue with them.) It’s impossible not to fall in love with Levy Grad, who brings to life the townspeople made of beautifully decorated papercuts; they appear, in fact, from an old book of tales, like pop-up postcards. The show reminds us of the true magic of theater and is an extraordinary glimpse at some wonderful stories from Jewish culture.- Merav Yudilovitch, Ynet
The production, in paper theater format, written by Gerardo Castillo and directed by Mauricio Martínez Martínez, tells a story that will uncover a legend about relationships between cats and humans.
In this world full of magical and mysterious places, the audience will be able to meet characters like Lorenza, the little kitten of colossal proportions, Timotea, the colorful flying kitty and his loyal friend Rodolfo, the acrobat mouse, and, of course, the daring Sir Thomas Malory Tapioca.
The story arises from the need to explore the thousand-year-old figure of the cat, which has inspired from heroic legends to tales of terror. With a sense of humor, the project is immersed in its amazing stories and vicissitudes, the same that happens on the margin of the daily worries of the human beings.
Miguel Ángel Morales, Mauricio Martínez Martínez and Ana Cordelia Aldama make up the cast of this work that proposes the fusion of paper theater with a contemporary expressiveness, in which the actors use the resource of oral narration, with masks and manipulation of objects.That sounds amazing! I hope anyone in Mexico who has the chance, definitely checks out this fantastic production...






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| Red encounters the Wolf |

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| Help arrives in the nick of time! |
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| The Mad Hatter strikes a pose during a break in the tea party... [Source: Benjamin Pollock's Toyshop Instagram] |
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| "I'll be 'mother', shall I?" asks the Mad Hatter... [Source: Benjamin Pollock's Toyshop Instagram] |
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| A still from the upcoming 2016 film (as yet unnamed), featuring a giant crankie, made by Katherine Fahey... |

Reporters...recently had the pleasure of attending a performance of the award-winning The Ghastly Dreadfuls, and were astounded by the beautiful mixture of live music and dance combined with incredible elaborate puppet shorts. From the set design to the choreography, this production proved to be one of the most cleverly crafted and executed theater sets this reporter has seen in recent years.
A well rounded production introduced the audience to the Dreadful Family of ghouls who rise from the grave during this time of year and take human form. Rising from the dead, it seems, involves a lot of wonderful showmanship and musicianship in Victorian inspired costuming. Each of the Dreadful is introduced in turn by the ring master of this frightful circus, Simply Dreadful.
The show continues by interspersing vaudeville styles shows with a selection of puppet vignettes representing puppet stories from around the globe. Some of the vignettes include songs such as the opener, “La Petite Vampyr,” and others work through voice over or dramatization, such as the compelling “11:59″. Not one of the pieces or songs fell flat. In a very real way, this production combined the best of early 20th century live theater with the best of modern puppetry.
- Ghastly Dreadfuls Sell Out at Center for Puppetry Arts
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| Lady Dreadful (Reay Kaplan) |
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| Dapperly Dreadful (Bryan Mercer) |
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| Dizzily Dreadful (Scott E. DePoy) |
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| Shockingly Dreadful (Spencer G. Stephens) |
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| Daftly Dreadful (Kristin Haverty) |
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| Catly Dreadful (Jason von Hinezmeyer) |
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| Simply Dreadful (Jon Ludwig) |
In the UK in 1996, a three-minute pilot was created in hopes of launching a new Krazy Kat cartoon series. It was directed by Derek Mogford and produced by Spitting Image Productions.Krazy Kat had been animated often before, and always in long-running and successful series. There were theatrical Krazy Kat cartoons in some form or another running from 1916 to the end of the thirties, and in the sixties the character was brought back for a television series.